These are some of the poems that I like.
That Everything's Inevitable
by Katy Lederer
That everything's inevitable.
That fate is whatever has already happened.
The brain, which is as elemental, as sane, as the rest of the processing universe is.
In this world, I am the surest thing.
Scrunched-up arms, folded legs, lovely destitute eyes.
Please insert your spare coins.
I am filling them up.
Please insert your spare vision, your vigor, your vim.
But yet, I am a vatic one.
As vatic as the Vatican.
In the temper and the tantrum, in the well-kept arboretum
I am waiting, like an animal,
For poetry.
The Mistake Jack Gilbert
There is always the harrowing by mortality,
the strafing by age, he thinks. Always defeats.
Sorrows come like epidemics. But we are alive
in the difficult way adults want to be alive.
It is worth having the heart broken,
a blessing to hurt for eighteen years
because a woman is dead. He thinks of long
before that, the summer he was with Gianna
and her sister in Apulia. Having outwitted
the General, their father, and driven south
to the estate of the Contessa. Like an opera.
The fiefdom stretching away to the horizon.
Houses of the peasants burrowed into the walls
of the compound. A butler with white gloves
serving chicken in aspic. The pretty maid
in her uniform bringing his breakfast each
morning on a silver tray: toast both light
and dark, hot chocolate and tea both. A world
like Tosca. A feudal world crushed under
the weight of passion without feeling.
Gianna’s virgin body helplessly in love.
The young man wild with romance and appetite.
Wondering whether he would ruin her by mistake.
Lion and Gin
by Dennis Hinrichsen
I pet my father like some big cat a hunter has set on the ground,
though I am in Iowa now and not the Great Rift Valley
and what I sense as tent canvas flapping, thick with waterproofing,
is cheap cotton
choked with starch.
Still, he is a lion on the gurney.
I talk a little to make sure he's dead.
I have some memory of riding his shoulders
through the fragrant night. Three fish coiled in a creel. So many
butterflies
and gnats, it was two-thirds Kenya,
one-third Illinois.
And then home: the clink
of ice and gin.
And so I rub his hair, which is unwashed, and will
remain unwashed, for we will burn him.
I touch the blade of his chest.
Think of all those years I spent hovering beneath the scent of
Marlboros,
the mouthwash trace of booze; all that ice
cracking, going stale: crowned molars and mimic glaciers
fading to bled-out amber among the cuticles of lime.
Maybe that's why when he so blindly flies
on that exaltation of velocity and gas,
he doesn't linger in this world awhile as word or song,
a density we might gather round—
an aquifer, or gushing spring, as pure as gin.
Instead, he departs
as vapor.
Fragments of tooth and bone in the swept-out mass I can
throw back to dirt, or spread—a child's sugared, grainy drink—
to water.
And now I wonder, where's the soul in this?
The agent of it?
If it un-tags, re-tags itself—a flexible, moveable,
graffiti—indelible for the time we have it,
or if it sputters on some inward cycle toward a Rubbermaid
waste bucket, sink trap ringed with cocktail residue.
As on my returning, the trays of ice were reduced to spit.
I had a drink in my hand,
that memory of riding; the fragrant night.
How can I open the freezer now and not see the milky irises
of his passage;
the array of paw and pelt;
jaw wrenched so far open in that rictus of longing, gasping,
his living eyes could not help but tip and follow?
The Pond Jim Powell
On the back way
there are planks laid
across the swampy places,
jet black loam where water
pools in the dents,
a place on the path
I double back to
and catch myself returning
mirrored in a sheet
of water, the world
doubled back
in the glassy pool:
wind animates the leaves
and the glint shaken from them
winks flickering
in the pond dreaming
at the secret center
past the last screen
of ferns and creepers, bramble
entanglements
and periphrastic
evasions this place
a steady witness for
the rehearsal of a ghostly
life in signs
and tokens, clairvoyant
the way dreams
betray us to ourselves
in a changeling masquerade
uncovering
another nature
another self
to read in the face there
in the water till reflection
troubles the mirror.
This one is my favorite.
You're Beautiful by Simon Armitage
because you're classically trained.
I'm ugly because I associate piano wire with strangulation.
You're beautiful because you stop to read the cards in
newsagents' windows about lost cats and missing dogs.
I'm ugly because of what I did to that jellyfish with a lolly
stick and a big stone.
You're beautiful because for you, politeness is instinctive, not
a marketing campaign.
I'm ugly because desperation is impossible to hide.
Ugly like he is,
Beautiful like hers,
Beautiful like Venus,
Ugly like his,
Beautiful like she is,
Ugly like Mars.
You're beautiful because you believe in coincidence and the
power of thought.
I’m ugly because I proved God to be a mathematical
impossibility.
You're beautiful because you prefer home-made soup to the
packet stuff.
I'm ugly because once, at a dinner party, I defended the
aristocracy and wasn’t even drunk.
You're beautiful because you can't work the remote control.
I'm ugly because of satellite television and twenty-four-hour
rolling news.
Ugly like he is,
Beautiful like hers,
Beautiful like Venus,
Ugly like his,
Beautiful like she is,
Ugly like Mars.
You're beautiful because you cry at weddings as well as
funerals.
I’m ugly because I think of children as another species from
a different world.
You're beautiful because you look great in any colour
including red.
I'm ugly because I think shopping is strictly for the
acquisition of material goods.
You're beautiful because when you were born, undiscovered
planets lined up to peep over the rim of your cradle and lay
gifts of gravity and light at your miniature feet.
I’m ugly for saying "love at first sight" is another form of
mistaken identity, and that the most human of all responses
is to gloat.
Ugly like he is,
Beautiful like hers,
Beautiful like Venus,
Ugly like his,
Beautiful like she is,
Ugly like Mars.
You're beautiful because you’ve never seen the inside of a
car-wash.
I'm ugly because I always ask for a receipt.
You're beautiful for sending a box of shoes to the third
world.
I'm ugly because I remember the telephone numbers of
ex-girlfriends and the year Schubert was born.
You're beautiful because you sponsored a parrot in a zoo.
I'm ugly because when I sigh it’s like the slow collapse of a
circus tent.
Ugly like he is,
Beautiful like hers,
Beautiful like Venus,
Ugly like his,
Beautiful like she is,
Ugly like Mars.
You're beautiful because you can point at a man in a uniform
and laugh.
I'm ugly because I was a police informer in a previous life.
You're beautiful because you drink a litre of water and eat
three pieces of fruit a day.
I'm ugly for taking the line that a meal without meat is a
beautiful woman with one eye.
You're beautiful because you don’t see love as a competition
and you know how to lose.
I'm ugly because I kissed the FA Cup then held it up to the
crowd.
You're beautiful because of a single buttercup in the top
buttonhole of your cardigan.
I'm ugly because I said the World’s Strongest Woman was a
muscleman in a dress.
You're beautiful because you couldn’t live in a lighthouse.
I'm ugly for making hand-shadows in front of the giant bulb,
so when they look up, the captains of vessels in distress see
the ears of a rabbit, or the eye of a fox, or the legs of a
galloping black horse.
Ugly like he is,
Beautiful like hers,
Beautiful like Venus,
Ugly like his,
Beautiful like she is,
Ugly like Mars.
Ugly like he is,
Beautiful like hers,
Beautiful like Venus,
Ugly like his,
Beautiful like she is,
Ugly like Mars.
Death Barged In
by Kathleen Sheeder Bonanno
In his Russian greatcoat
slamming open the door
with an unpardonable bang,
and he has been here ever since.
He changes everything,
rearranges the furniture,
his hand hovers
by the phone;
he will answer now, he says;
he will be the answer.
Tonight he sits down to dinner
at the head of the table
as we eat, mute;
later, he climbs into bed
between us.
Even as I sit here,
he stands behind me
clamping two
colossal hands on my shoulders
and bends down
and whispers to my neck,
From now on,
you write about me.
Untitled [This is what was bequeathed us]
by Gregory Orr
An excerpt from How Beautiful the Beloved
This is what was bequeathed us:
This earth the beloved left
And, leaving,
Left to us.
No other world
But this one:
Willows and the river
And the factory
With its black smokestacks.
No other shore, only this bank
On which the living gather.
No meaning but what we find here.
No purpose but what we make.
That, and the beloved's clear instructions:
Turn me into song; sing me awake.